Poster for the premiere
PREMIERE:
3rd April 1993
St John’s Church, Wolverhampton
Wolverhampton Civic Choir
Orchestra da Camera
Baritone Soloist - Brian Rayner Cook
Conductor - David Hart
More information and sheet music
Have you performed in this work or come to watch? Please share below!
Follow Cynthia Downes on Instagram to keep up-to-date with her blog posts.
An account by Andrew's wife and publisher, Cynthia Downes, posted on January 16th, 2022
A SAINT LUKE PASSION Opus 50 (1992) 40'
The story of the death and resurrection of Christ set to music for baritone soloist, SATB choir, piano duet, percussion (2 players) and string orchestra.
More info
The history of the commissioning of A Saint Luke Passion began with the premiere of Andrew’s String Quartet No 2 on 5th December 1989. That premiere was in the Adrian Boult Hall of the Birmingham School of Music (now Royal Birmingham Conservatoire) and was part of Andrew’s Festival of New Music. Unfortunately, the audience was quite small that evening. One important person there, however, was the critic, David Hart. He was very taken with Andrew’s music and not only did he write a very favourable review, but also very shortly afterwards asked Andrew to compose a large-scale choral work for the Wolverhampton Civic Choir which he directed, to be performed in St John’s Church, Wolverhampton.
I suggested to Andrew that this was a perfect opportunity for him to compose a setting of the Passion of Jesus. In order not to sound too presumptuous, we thought St Luke was one of the less well-known from the point of view of Passion settings and it should be called A Saint Luke Passion, so as not to give the impression that Andrew thought it was the only one. Andrew’s Passion treats both the Death (Part 1) and the Resurrection (Part 2) of the Passion of Christ story. He includes 2 Latin motets from the 'Tenebrae Responses', Judas Mercator Pessimus (The Wicked Merchant, Judas) and Tenebrae Factae sunt (A Darkness fell over the Land) in part 1, and ends part 2 with the Apostles' Creed, Credo in unum Deum (I believe in one God), again in Latin.
So, commissioned by the Wolverhampton Civic Choir, with baritone soloist Brian Rayner Cook and the Orchestra da Camera, under the direction of David Hart, the premiere of A Saint Luke Passion took place on 3rd April 1993.
Advertising:
ISM Journal:
I was born in Wolverhampton, and my great-grandparents lived in one of
the houses around St John’s Church, so I felt quite emotional when I
arrived at the premiere with Andrew of A Saint Luke Passion, which I
knew was an amazingly moving work. The performers and the capacity
audience loved it. Christopher Morley, critic of the Birmingham Post,
wrote a very complimentary review:
'Two triumphant premieres in three
days! After Thursday's success of his eloquent Third Symphony, Andrew
Downes heard his deeply affecting St Luke Passion given on Saturday by
the Wolverhampton Civic Choir (who commissioned it) in the elegant and
accommodating Parish Church.
'Scored for string orchestra, percussion
and piano duet, the work also calls for a baritone soloist singing the
words of Christ.
'Brian Rayner Cook performed with gentle sincerity,
quietly commanding in these grateful melodic lines. Many of
Downes' well-loved fingerprints are here, not least the music
circling round a note before coming to rest on it, and now, too, his
recent, striking discovery of independent multi-tempi.
'... the music's
drama as it progressed to a moving sense of exaltation touched us
all.'
THE BIRMINGHAM POST
Programme:
Reviews:
Letters:
In 1993 Andrew took a group of hugely
talented students, who called themselves 'The 4D Crimson Orchestra', from
his School of Creative Studies, on an exchange visit to the State
University of New York. The Orchestra did several concerts during the
visit, and Andrew had discussions with the music department to plan
further exchanges. He also was invited by the Crane Concert Choir of
the State University of New York to conduct them in the first American
performance of his A Saint Luke Passion. The Crane Concert Choir has a
tradition for inviting composers to conduct their works with them.
Composers to be invited in the past have included Samuel Barber and
Aaron Copland! Andrew, with his Conservatoire colleague David Brock,
trained the musicians for this first American performance of A Saint
Luke Passion. The choral department and the choir there were
excellent. The performance took place on 5th November 1993. Read the talk which Andrew gave before the performance.
Correspondence before the performance:
ISM Journal articles:
Postcards from Andrew to our family:
Andrew at Potsdam University:
Colleague and great friend David Brock:
Advertising:
Rehearsals:
Andrew's notes:
Programme:
The performance, conducted by Andrew:
After the performance:
In
1997, to celebrate the tenth anniversary of the Adrian Boult Hall at
Birmingham Conservatoire, Andrew’s A Saint Luke Passion was chosen for a
special concert, given by Bryan Rayner Cook with the Birmingham
Conservatoire Choir and Orchestra, conducted by Steven Lloyd. Andrew
had composed his wonderful choral work The Marshes of Glynn for the
Royal Opening of this Hall 10 years previously, and this 1997 concert
choice was in recognition of the great success of his contribution to the inaugual concert.
Birmingham Conservatoire Brochure:
Concert Programme:
Review:
Letters after the performance:
In August 2006, our daughter Paula, who was
then living in Massachusetts USA, put on a concert of Andrew’s
unaccompanied choral music, including Judas Mercator
Pessimus and Tenebrae Factae Sunt from his Passion, at King's Chapel,
Boston, on August 22nd 2006, with the Millennium Scholars, directed by
herself. She had made a number of highly talented singer friends,
mainly from the Church of the Advent, Boston, in which she and they
sang, and they made up the Millennium Scholars. She also invited Andrew
and me to sing in the concert.
That summer was a very exciting one for us. At the
end of July the whole family were involved in the premiere performances
of Andrew’s opera, Far from the Madding Crowd. Then Andrew and I flew to
Pittsburgh for the USA International Flute Convention to hear the
Columbia Flute Choir play Andrew’s Mountain Song, and then we slowly
drove to Boston, stopping off at the beautiful Finger Lakes, where we
stayed in a gorgeous Victorian hotel in rolling countryside. Finally we
arrived in Boston to sing in the concert which Paula organised.
Throughout our travels I practised the music for our concert, which
turned out to be an unforgettable experience. I took some of Andrew’s
CDs to sell. One audience member was so taken with Andrew’s music that
she bought a copy of every CD on offer! Listen to this concert.
Programme:
Comments from the singers:
"It was a pleasure indeed. Thank you for writing the music and for including me in its performance."
"It was wonderful to meet you both and work with you! I hope we can work together in the future."
"I had such a wonderful time singing this music. Thanks so much for giving us all the opportunity to perform (and hear) such beautiful, sensitively-wrought music."
"It was a pleasure for me to sing your beautiful music, and in such fine company as well!"
Comment from an audience member:
"Please tell your father how deeply moved I was by his music. It opened springs of emotion for me I guess! So thank you all for a real epiphany!"
In April 2020, during Andrew Downes' 70th birthday year, the immensely moving recording of the Birmingham Conservatoire performance of A Saint Luke Passion was shared online.
It is hard to describe the devastation we suffered when Andrew tragically died on 2nd January 2023. The outpouring of grief from family and friends was overwhelming, After the funeral, our daughters Anna and Paula set up the Andrew Downes Year of Remembrance, inviting musicians to include Andrew's music in their concerts. In March 2023, Tenebrae Factae Sunt from A St Luke Passion was performed with heart-rending intensity by Cambridge Vocal Consort, as part of their Lent concert in the Church of St Peter and St Mary Magdalene, Fordham, Cambridgeshire.
We would love to hear about your experience. Please share it here!
Return to the top of the page
Return to Premieres Blog page
Follow Cynthia Downes on Instagram to keep up-to-date with her blog posts:
ddd
ddd
If you have performed in any of Andrew Downes' works or come to listen, please share your experiences in the Premieres Blog! Also see what others have said. Thank you so much for your contribution.