PREMIERE:
17th December 1992
Birmingham Cathedral
More information on Ballads for Christmas
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An account by Andrew's wife and publisher, Cynthia Downes, posted on December 30th, 2020
In 1992, Andrew was asked by Valerie Pither, music teacher at Hillcrest School (formerly Bartley Green School), to compose a work for her superb choir, to sing alongside Britten's Ceremony of Carols in a Christmas concert in Birmingham Cathedral. Andrew was thrilled to receive this commission, and chose to set different poetry from around the world and from different historical ages. The poems which he chose reflected his new compositional philosophy, inspired by World Music: The Huron Carol (Canadian); Pilgrims in Mexico; The Virgin's Cradle Hymn; The Mother's Song (Eskimo); Shepherd's Carol; Christmas 1924; The Holly Bough; New Year Bells.
Up
until this point in my life's work as Andrew's publisher, I had been
photocopying Andrew's original handwriting, which had by this time
become extremely neat and legible, using a fine nibbed felt tipped pen. I realised, however, that Ballads
for Christmas needed to be typeset and printed, ready to provide
multiple copies for the Christmas market. Anthony Bradbury had just set
up his 'Keyboard Typesetting' business. He typeset the Ballads
and I proofread them.
Anthony Bradbury also knew a brilliant artist in the
Birmingham Festival Choral Society, which Anthony conducted. The artist
created this design for the cover, illustrating all the lyrics in the
Ballads, thus representing the different poems from all over the world:
The commission for these Ballads for
Christmas came from the Midland Chamber Players, who shortly after this
made Andrew their Leading Patron.
The Ballads were first performed on 17th
December 1992 in Birmingham Cathedral by Hillcrest School Chamber
Choir, directed by Valerie Pither, with Robert Johnston, harpist from
the CBSO.
Preview letter and articles:
We were delighted with this compliment in the Birmingham Post next day:
'Ballads for Christmas is a highly effective work which, coupled with its directness and economy, should secure it a firm place in the Christmas youth choir repertory.'
THE BIRMINGHAM POST
I
directed an instrumental group at Hagley Middle School at the time, and arranged the
Shepherd's Carol for them. The music teacher, Heather Barnett, and I
took the players to the Birmingham premiere. They really enjoyed their
day out and loved the piece. They played the renamed Shepherd's Dance in the National Festival of Music for Youth really well shortly afterwards. (Our daughter Paula should have been the lead violinist in the group for this performance. Unfortunately she fell ill with flu, and her sister Anna, who had left Middle School for Haybridge High School, had to don Paula's Middle School uniform, pretend to be her and play the difficult violin part on the day. Fortunately, Anna was small for her age and an excellent violinist!)
Cards and letters after the premiere:
Beautiful subsequent performances, either of individual Ballads or the whole
work, were given by Hillcrest Choir in their Birmingham Cathedral
Christmas concerts: in 1993 (Huron Carol, Virgin's Cradle Hymn and Shepherd's Carol), 1995 (Virgin's Cradle Hymn) and 1996 (complete work).
In
December 1993, Andrew and I made a magical Christmas trip to
Christchurch Priory to hear the whole work performed by the excellent Rilstone
Singers with virtuoso harpist Susan Drake, conducted by Martin
Schellenberg. The following year the same choir gave a repeat
performance in St Peter's Church, Parkstone, Poole, Dorset, with CBSO
harpist Robert Johnston
The Chapel Choir of Royal Holloway, University of London, directed by Lionel Pike, performed Shepherd's Carol in December 1993 and then all of the Ballads in
December 1994 in the Chapel of Royal Holloway. Andrew and I were
able to attend this special 1994 performance in my Alma Mater college,
by the choir of which I used to be a member. They recorded the Shepherd's Carol from the collection on their CD entitled ‘Whom do you seek, Shepherds?’ in 1995.
In
1995 I gave copies of Ballads for Christmas to the Music Teacher at our daughters' school,
Haybridge High School, with the result that the school choir, with
soloists Paula, our daughter, and Catherine Pickford, performed Shepherd's Carol in St Saviour's Church, Hagley, in December of that year. With Paula as soloist, they performed The Virgin's Cradle Hymn in St Saviour's Church, Hagley, in December 1997.
During
their teens, our daughters Anna and Paula were invited by Margaret
Pickford, founder and conductor of the prize-winning Halesowen Girls'
Choir, to join her ensemble. I gave Margaret a copy of Ballads
for Christmas. Consequently, many performances were given by the
Halesowen Girls’ Choir, and later by Margaret's Halas Chamber Choir,
with pianists Keith Bradley and Heather Howell, in Halesowen Church and
other Worcestershire churches, as well as the Birmingham Buddhist
Centre. Andrew and I loved attending their concerts. As time went on, Margaret invited older members, including me, to sing with the choir, which I loved!
The first London performance of the Shepherd's Carol was
given in December 2002 by choristers at South Hampstead High School for Girls, in an
exquisite performance conducted by Diana Kieverstein, with Paula (who was teaching at the school at the time) singing the solos.
Andrew and I were delighted to go to their concert.
Halesowen Girls' Choir performed the work again in 2003 as part of their reunion concert. This photo appeared in the local press:
Front: Alexandra Rudge
Left to right: Cynthia Downes, Liz Rudge, Lucy Pickford, Katie (Pickford) Kestin, Margaret Pickford, Amy Bloodworth, Andrew Downes, Aisla Nicholls, Anna Downes, Chloe Marks. (Paula was teaching in London at the time)
The Halesowen Girls' Choir (including Paula and myself) performed The Holly Bough and New Year Bells at
the beautiful Christmas wedding of Anna to Michael Jason Price, on December 27th 2003, in St John's Church, Hagley,
Worcestershire.
This was followed by a performance of the whole work on December 4th 2004 in Hampstead Parish Church by the Millennium Scholars, with Tanya Houghton, harp, directed by Paula, who founded the choir especially for the occasion from her Cambridge choral scholar friends. I spent the afternoon of the concert handing out the following flyers to the passers by. Andrew attended the rehearsal meanwhile. We loved the concert!
We were delghted to hear that the Cadon Chorus of Cornwall gave two performances in December 2005.
While she was living in Boston at the beginning of her marriage to David Trippett, our daughter Paula, who has continued to champion Ballads for Christmas on numerous occasions, organised the first USA performance in Boston by her American Millennium Scholars, which she founded and directed, on 14th December 2005 at the Friends Meeting House, Cambridge Massachusetts. Paula was interviewed by Cambridge Massachusetts local TV just before the performance!
In March 2013, Paula made a multi-track recording of Ballads for Christmas, singing all the voices, with harpist Rita Schindler and recording engineer Matthew O'Malley, at Birmingham UK Conservatoire. In January 2016 Paula
completed and launched on YouTube a series of animations and films to
go with her recordings of each of the 8 Ballads. Andrew and I were enchanted by Paula's animations:
Paula has also created educational resources to go with her animations.
Loving the Ballads for Christmas so much, I have created and directed performances of Instrumental arrangements of The Shepherd's Carol and The Holly Bough on several occasions with musicians from Hagley, Worcestershire, and the West Midlands.
My arrangements of The Virgin's Cradle Hymn and The Mother's Song were
first performed by Paula, soprano soloist, with Hagley Community
Orchestra, in St Saviour's Church, Hagley, Worcestershire in December 2015. It was lovely to have Andrew himself playing (keyboard) in many of these performances.
Back living in Cambridge, Paula founded and directed 'The Cantabrigians', an ensemble of solo voices, who were ex choral scholars. In
December 2016, The Cantabrigians, accompanied by harpist Rohan Platts, performed Ballads for Christmas in the Chapel of Christ's College. Andrew and I travelled to Cambridge for their memorable concert, which they repeated in Christ's College in December 2017 and in St John's Church, Duxford in
December 2018.
The Cantabrigians have also given performances of
individual Ballads for Christmas: firstly Christmas 1924 in the Chapel of Selwyn College, Cambridge, as part of their Remembrance Day concert in November 2017, which we also attended; and then several performances of 2 more of the Ballads, The Virgin's Cradle Hymn and The Mother's Song. They sang these 2 movements: at
"The Big Switch On" of the Christmas Lights in Cambridge Market Square in November 2017; in the Chapel of the Grange Wellington Hotel, London,
as part of the Brandenburg Choral Festival of London in January 2018; at
St Andrew's Street Baptist Church, Cambridge, in December 2018; and at St
Mary's Eaton Socon, St Neot's, also in December 2018. These last venues were not wheelchair friendly for Andrew, but I was able to attend the Cambridge and London ones, travelling back to Hagley the following morning. Andrew was looked after by his carer meanwhile.
Photo of the performance in Christ's Chapel, Cambridge, 2016. Rohan Platts, followed by Paula (in white fur stole), is leading the choir into the chapel:
Photos of The Big Switch On, 2017:
Excerpts from the 2017 performance of Ballads for Christmas, followed by Britten's Ceremony of Carols, alongside which Andrew's work was originally intended to be performed:
The Eskimo Song from this Brandenburg Choral Festival of London performance:
Photos from the Duxford performance, 2018:
The Mother's Song from the collection has several times been broadcast on Dutch Radio!
As part of Andrew Downes' 70th Birthday celebration year, the Cambridgeshire Holiday 7+ Choir, directed by Paula, performed The Virgin's Cradle Hymn, which they entitled Cradle Song, in West Road Concert Hall, Cambridge, in January 2020. Paula sent us a video of their delightful performance.
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