Brochure for Cheltenham Fringe Festival 1984, including premiere of Andrew Downes' Symphony No.1, Birmingham School of Music Symphony Orchestra with Michael Haynes Organ, conducted by Mark Foster.
PREMIERE:
11th July 1984
All Saints Church, Cheltenham
Cheltenham Festival Fringe
Birmingham School of Music Symphony Orchestra
Organ - Michael Haynes
Conductor - Mark Foster
More information and sheet music
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An account by Andrew's wife and publisher, Cynthia Downes, posted on October 17th, 2021
SYMPHONY No.1 Opus 27 (1982)
For organ, brass (8 trumpets, 4 horns, 3 trombones, tuba), percussion (including vibraphone) and strings.
4 movements: Prelude and Fanfare; Ricercare; Scherzo; Postlude
More info
Andrew wrote his first symphony in the early 1980s. At the time he, with many other people, was preoccupied with the fear of nuclear war. This coloured his composing to the extent that the symphony is full of foreboding and drama. He chose to use organ instead of woodwind, which added starkness to the sound world.
The dynamic first performance of Symphony No.1 was given by the Birmingham School of Music (now known as the Royal Birmingham Conservatoire) Symphony Orchestra, with Michael Haynes, organ, conducted by Mark Foster, on 11th July 1984 in All Saints Church, Cheltenham, as part of the Cheltenham Festival Fringe, in a concert to commemorate the 50th anniversary of the death of Gustav Holst, former organist at the church.
Grant award:
Newspaper preview article:
Concert programme:
The same musicians gave a second performance of the work in St George’s Church, Edgbaston, Birmingham, on July 13th 1984.
Programme for second performance:
We were delighted to read these reviews in the Birmingham press after the performances:
'...this
is a brilliant work written as a cry from the heart for
recognition of
the horror of nuclear war.'
BIRMINGHAM EVENING MAIL
'...a
fine work laid out with the orchestral clarity that is a salient feature
of the composer's individual style...this symphony progresses with
dignity from despair to a final ray of hope expressed by Downes with an
immediacy of communication that lies at the heart of all musical
inspiration.'
BIRMINGHAM POST
Birmingham Evening Mail review:
Letter from conductor Mark Foster:
I took our cassette tape recorder
to both concerts and recorded the performances on my lap. The second
performance was a brilliantly balanced rendition. Alas, something went
wrong and the second performance recording didn’t come out! Fortunately
we had the premiere recording of the work which came in very handy as
time went on.
Movement 1 of the Symphony was performed by
musicians at Shrewsbury School, conducted by Andrew Auster, in the
Alington Hall of the school in March 1987.
Correspondence with Andrew Auster, Director of Music at Shrewsbury School:
A student of
Andrew’s, Fa Fa Jin, whose father was the conductor of the China Film
Philharmonic Orchestra, was keen for his father to hear Andrew’s music
and asked us to send scores and parts of Andrew’s orchestral works which
had recordings. I got the music and recordings ready, parcelled them
up and took them to the post office. The address which Fa fa gave me
was all in Chinese, so I stuck it firmly on the large box which I had
prepared. The post office worker in Hagley at the time was rather
unpleasant. He impatiently refused to take the parcel when I asked to
insure it, because of the difficulty of reproducing the address on the
forms. I had to carry the heavy box back home (in tears!) and create
small photocopies of the address to stick on the forms. My efforts were
worthwhile however: the recording of the first performance of Symphony No 1
was broadcast on Central Peking Radio four times in September and
October 1990.
The symphony then sat in our trunk for many years.
I was bothered about the scores and parts being hand-written, and
photocopied and bound using equipment which went out of date, but later
performers loved them because Andrew’s handwriting was so clear. I had
stapled the pages in white card with a label featuring a photo of
Hiroshima, which appealed to the players.
Copy of Andrew Downes' Symphony No.1 created by Cynthia Downes
In 2013 Andrew
received a large sum of money by way of compensation for the clinical
negligence he had suffered in 2009 at Russells Hall Hospital, where
doctors failed to recognise over many hours that he had broken his back,
leaving him paralysed. When the compensation came, I suggested to
Andrew that we should use some of it to hire the services of the Czech
Philharmonic Orchestra to record Andrew’s Symphonies 1-4 and two of his Overtures. At the time, Ondrej Vrabec, Principal Horn of the Orchestra
and great friend of Andrew’s, had become Associate Conductor of the
Orchestra. He was delighted to be asked to conduct Andrew’s works and
booked the best recording engineer and producer, as well as the best
extra players required.
So, in February 2015 this Symphony
was
recorded in the Dvorak Hall of the Rudolfinum, Prague, Czech Republic,
by the Czech Philharmonic Orchestra, directed by Ondrej Vrabec, as part
of a 2 CDs set of 4 symphonies and 2 overtures by Andrew, all
recorded in the spring of 2015 on the Artesmon label. We weren’t able to
go to the recording because of Andrew’s paraplegia, but the engineers
in Prague and our computer repair man here set up streaming and skype
for us to watch the recording and make comments. The set of 2 CDs and
one Documentary DVD were launched in the Suk Hall of the Rudolfinum,
Prague, on 1st December 2015. The CDs were launched on iTunes on March
18th 2016 and voted CD of the Month of March 2016 by Czech Music
Direct!
From Czech Music Direct:
An advert in the Southbank Centre Concert Programme:
Email to Andrew from Czech Philharmonic Orchestra hornist, Zdenek Divoky:
The UK launch, organised by Laurence Lewis of Czech Music Direct, took place on
17th April 2016 at the National Film Theatre, London, where excerpts
were played and the Documentary DVD was shown, together with our daughter Paula’s
films portraying Andrews' Songs from Spoon River and also an excerpt
from the DVD of Andrew's opera, Far from the Madding Crowd. Paula and
her husband David Trippett were interviewed by Laurence Lewis about the
songs, which David had accompanied, and the opera, which David had
conducted and in which Paula sang the part of Bathsheba. Our daughter Anna also
gave a talk about the up-coming Andrew Downes 65th Birthday concert
which she was organising in Birmingham Cathedral, featuring Symphony No.1. It was a thrilling day for us all and a great success!
Invitation to the UK launch:
Laurence Lewis's (Czech Music Direct) draft plan for launch:
At the Launch at the BFI Southbank: Left to right: Anna Downes, Andrew Downes, Cynthia Downes, David Trippett, Paula Downes
Email from Laurence Lewis of Czech Music Direct following the launch:
Write-up of the UK launch by Czech Music Direct:
ISM Journal article:
BBC Music Magazine 4-star review:
Email from MusicWeb Internation Critic, Rob Barnett:
Read the MusicWeb International article here.
Public reaction:
Other reviews: (also visit the press page)
'Symphonies
(and Overtures) by Andrew Downes, released by Czech label Artesmon, is
destined to be one of the most important orchestral recordings of 2016.
They are played by the Czech Philharmonic Orchestra conducted by Ondrej
Vrabec, who deliver one of their greatest recorded performances since
the days of Karel Ancerl, in sound of vast depth and power.' CZECH
MUSIC DIRECT
'
'I've started to listen to the recordings, which are fabulous.' Tony Palmer, film director and author
'Downes
is clearly not at all afraid of the big statement – the First
Symphony is inspired (if that is the right word) by the subject of
nuclear war – and there is much here that has an immediate impact in
terms of memorable thematic material, idiomatic orchestration and subtle
use of harmony... the contrasts between the various sections of the
scores are often arresting.
'Some of the orchestral players are
heard remarking on how much they enjoyed playing the scores, and their
enthusiasm is infectious; there is no sense here of bored
instrumentalists going dutifully through the motions. There is also a
startlingly interventionist producer, who seems to be acting as a
persistent critic dedicated to the detection of the slightest error or
pitch or rhythm.
'...earnestly recommended to those listeners
who are willing to make the acquaintance of an attractive composer who
is prepared to meet them halfway. This is a thoroughly worthwhile
release; and the presentation, with three discs in a gatefold sleeve
including a substantial booklet of forty pages (English with Czech
translation), is a model of what such things should be.'
MUSICWEB
INTERNATIONAL
"a real find", "rarely can comtemporary music
deserve more exposure than these colourful characterful pieces", "uses
percussion and seductive Arnoldian tunes in the most beguiling of
fashions", "these discs will persuade the receptive listener that Downes
has a truly individual voice", "a solid addition to the canon of such
works":
cdchoice.co.uk
In 2016, Symphony No.1 was performed by the
Central England Camerata, the professional orchestra founded and led by
Anna and directed by Anthony Bradbury, as part of Andrew’s 65th
Birthday Concert in Birmingham Cathedral. I was thrilled to play in
this performance. We had large sections of strings and everyone gave
their all. The audience loved it and I was delighted that this work,
which had lain in the trunk for so long, had resurfaced with the
stunning recording by the Czech Philharmonic Orchestra and this truly
exciting concert.
Poster for Andrew Downes' 65th Birthday concert:
Advertising:
Programme:
Emails between Andrew and Anthony Bradbury:
Email from a player:
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If you have performed in any of Andrew Downes' works or come to listen, please share your experiences in the Premieres Blog! Also see what others have said. Thank you so much for your contribution.